Which days is it closed?

Closed on Sun, Mon, Tue, Wed, Thu, Fri, Sat

What is the admission fee?

성인 8000원 청소년 4000원 소인 2000원

What is the mood and atmosphere like?

Based on visitor reviews, the most frequently mentioned emotions are Intense, Immersive, Overwhelming.

What occasions is this exhibition recommended for?

Impressive artworks, Great for photos, Hands-on experiences, Immersive, Stunning space, Good for kids, Good for solo visits, Lots to think about

What do visitors think of this exhibition?

The exhibition uses multilayered media to explore the aesthetics of survival, in which Jeju was transformed through its mingling with outside civilizations. Though it can be difficult to grasp, it lets visitors cross the boundaries between nature and artifice, and between history and the present, and take in a distinctly Jeju sensibility.

MISHULTA·2026 5th Jeju Biennale Mix and Gather, Iyahong: The Art of Transformation

Curated

Hand-picked rating by our curators

2026 5th Jeju Biennale Mix and Gather, Iyahong: The Art of Transformation

2026.08.25 ~ 2026.11.15On view

2894-78 1100-ro, Jeju-si, Jeju-do

About This Exhibition

2026 제5회 제주비엔날레는 제주의 토착문화가 북방 문명을 만나 섞이고(허끄곡) 합쳐지며(모닥치곡) 이야홍(변용)해온 과정에 주목합니다. 이번 제주비엔날레는 제주 민요의 후렴구인 ‘이야홍(Iyahong)’을 핵심 개념으로 하여, 흐르고 섞이며 다시 태어나는 변용의 과정을 나타냅니다. 이를 통해 사물과 자연, 인간과 신이 공존하고 공생하며 터득해 온 생존의 방법과 그 미학을 변용의 섬 제주를 통해 제시하고자 합니다. 제주는 남방 해양문화와 북방 대륙문화가 교차하는 교두보이자 플랫폼으로서, 독특한 융합적 문화를 형성하고 있습니다. 제주는 고립된 섬이 아니라, 끊임없이 연결되고 변용되는 문화적 접점입니다. 제4회 제주비엔날레가, ‘표류’를 주제어 삼아 해양문명사의 중심인 제주를 조명했다면, 제5회 비엔날레는 역사(정치)·자연(지질)·다신문화(신앙과 믿음)가 교차하며 형성된 문명의 융합 현장으로서 제주의 다층적 구조를, ‘유배’, ‘돌문화’, ‘신화’로 조망합니다.

Written by MISHULTA from publicly available information

Admission

Adults 8000원 Youth 4000원 Children 2000원

Hours

Sun closed

Mon closed

Tue closed

Wed closed

Thu closed

Fri closed

Sat closed

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Contact

064-800-9191

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Exhibition information is subject to change. Please verify with each institution before visiting.

Titles, summaries and other details are machine-translated by MISHULTA and may differ from the original Korean.

Artist, exhibition and venue names are proper nouns — the original Korean is authoritative, and machine-translated names may differ from official ones.